Did That Prince of The PC Establishment, Bob Dylan, Deserve the Nobel? Maybe, But…
I liked Bob Dylan’s music for decades. Too bad so much of it is marred by his often terrible voice. I did not pay attention to his writing, with the exception of “Hurricane” (below), which I praised and “Like A Rollingstone”, which I view as well deserved compendium of sexual jealousy and deplorable hateful resentment. So now Dylan has a Nobel in literature, the US PC establishment rises, stronger than ever before, as if it knew how to write better than anybody else in the entire world. Hey, the killer with the great suits in the White House thinks so. So what does that mean with the state of the world? More confused than ever?
The Elite Is Transnational, And Sweden Nothing Much Without the US:
The permanent secretary of the Swedish Academy, Sara Danius, confided that while it had “not been a difficult decision”, she ‘hoped’ the academy would not be criticised for its choice, as Dylan “created new poetic expressions within the great American song tradition”. America never stopped being a great song. Something is going on, but we don’t know what it is. Do you, Ms. Danius? Let me help you, with a few allusions about that elite which feeds you so well.
The tall and good looking Sara has a PhD from Duke University (and also one from Uppsala U.). Duke is what I call a plutocratic university. Why? Tuition at Duke for graduate study is $52,995 (in 2016). That’s more than the median family after tax income in the USA. Such hefty fees prevent the attendance of anyone who is not part of the elite, or loved by the elite. What a joke of a democracy!
Let me explain a bit more: its colossal tuition, means that the people attending Duke University have a special connection with the elite (Ms Danius got somebody in the Swedish-American power circles to pay for her attendance at Duke, somebody who invested a third of a million dollars, and somebody which she now rewards with great lip service, among other services, maybe even a Nobel, Pluto knows, I don’t, but I can guess).
How to thank the elite for their dinero, indeed? It could simply be with the eagerness to serve said elite. As Ms. Danius was processed through Duke, she learned the proper attitude to have, relative to, and in service of, the powers that be. Same as her hero, Bob Dylan. Talk big, carry a celery stick for a weapon, and get entangled with the elite big time, complete with honoring each other as if there would be no tomorrow.
So the permanent secretary of the Swedish Academy is another great bridge between great America and Politically Correct, rape obsessed, Sweden (Sweden has officially twice the rape rate of any other country; whichever way one looks at it, it says something about the country… and especially the pride Swedes experience from that number alone: hey, it had imprisoned that critique of “great America”, Julian Assange, for five years now on obviously fake rape charges allegations).
Dylan Is A Pillar Of The Domineering PC Establishment:
One could say Dylan invented the genre. And has been that way, nearly since his inception (the singer-composer got his first public award in 1963, and proceeded to insult the audience at the award in an ageist fashion). Dylan did not get just the Pulitzer, he invented a whole new way of making American Politics Correct: protest against the “Masters of War”, in the abstract, but not against the Iraq invasion, in practice, and let them embrace your neck.
[Dylan getting Medal of Freedom from Nobel Obama, While Nobel Novelist Morrison applauds, and Astronaut-Senator John Glenn watches.]
Funny picture, is it not? It was made 800 years, to the day, after the Magna Carta Libertatum (Great Charter of Freedom). The Magna Carta was in particular supposed to prevent the king from doing whatever caught his fancy, including killing people at will… A right which Obama conferred to himself, for the whole planet to see, and meditate.
Bob Dylan is so much the establishment that the servant of our masters, the Clintons, are his spiritual babies: all for the few, nothing for the rest, under the guise of total Political Correctness, only second to Stalin’s (amusingly, Dylan, version December 1963, agreed that politics was down in the gutter, and that he “saw something of himself in Lee Harvey Oswald”, as he put it pedagogically, a few weeks after president Kennedy’s assassination).
Sara Danius, the noble Nobel giver: “We hoped the news would be received with joy, but you never know.” She compared the work of the American songwriter to the works of Homer and Sappho. Indeed, many writers were positively irate after the announcement, and proclaimed the Swedish Nobel elite had ridiculized itself.
Sara: “We’re really giving it to Bob Dylan as a great poet – that’s the reason we awarded him the prize. He’s a great poet in the great English tradition, stretching from Milton and Blake onwards. And he’s a very interesting traditionalist, in a highly original way. Not just the written tradition, but also the oral one; not just high literature, but also low literature.”
It is not just “America” which is great, it is England too. Anglo-Saxonia, ever greater, and keep that Ecuadorian embassy, with Assange locked up inside, under close supervision. Low literature? What is that? Babies surrounded with wild wolves? (See below!) Salman Rushdie opined that : ‘Dylan towers over everyone‘. Well, at least he is not boring like Salman.
Something is going on, but you don’t know what it is, do you, Mr. Rushdie? Well the work of “Homer” (there may have been more than one Homer) comprises 270,000 words, whereas at (say) 200 words average for 500 songs, Dylan’s work is around 100,000 words long (less than a tenth of the work of yours truly). However, much of it is very repetitive. After all, Dylan’s work is music, namely rhythm… But that means the fresh ideas are not that thick on planet Dylan.
Beyond Dylan, It Is Rock & Roll Which Is Honored:
In 1967 the Rolling Stones played in the Polish capital, beyond the Iron Curtain. Local press compared that to a :hurricane”. Displeased by the elite of the regime’s youth in the front rows, protected by police officers, covering their ears from being damaged by the Stones’ wall of sound, Keith Richards used his mike to abuse the elite:
“You fucking lot! You can fucking get out and let the bastards in the back down front!”
Mick Jagger ate, chewed and spat out a bucket of flowers, and made constant obscene gestures towards the police cordon and the front row elite. The insolent behavior of the Stones turned most of the crowd in the back red hot with approval. Outside a battle between the crowd and the police erupted. The police state got severely disrupted.
The Stones made no money from playing on the other side of the Iron Curtain: they just wanted to disrupt. And so it was, not just in the East, but also in the West. In the 1960s, rock and roll was highly discombobulating for the established order. The Stones’ apocalyptic Gimme Shelter and Sympathy for the Devil shook the souls deep down inside. So did Dylan:
Dylan’s A Hard Rain:
“Oh, what did you see, my blue eyed son?
And what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it
I saw a black branch with blood that kept drippin’
I saw a room full of men with their hammers a-bleedin’
I saw a white ladder all covered with water
I saw ten thousand talkers whose tongues were all broken
I saw guns and sharp swords in the hands of young children
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall.”
Stones’ Gimme Shelter, written a few years later:
“Oh, a storm is threat’ning My very life today If I don’t get some shelter Oh yeah, I’m gonna fade away
War, children, it’s just a shot away…Ooh, see the fire is sweepin’ Our very street today Burns like a red coal carpet
Mad bull lost its way
War, children, it’s just a shot away… Rape, murder! It’s just a shot away… Rape, murder yeah!”
The music of Gimme Shelter is superlative, a Ninth Symphony for the Twentieth Century. Just as good, or better, than the best of Dylan. And there are a few striking ideas there, and in songs such as “Paint It Black“. So a music Nobel for the Rolling Stones? Yeah. A literature Nobel? No.
All this disruption is now mainstream, perfectly synchronized with the global, tax-free, financially towering, Clintonian elite (Wikileaks just showed Blankfein, the CEO of Goldman Sachs give Hillary advice, or orders, about what to do with Iran… and Obama obeyed!) Yesterday’s disruption, now mainstream, needed to be rewarded. And who is the most rewardable? Clearly, the one most honorable in Rock & Roll is Bob Dylan. Dylan was already part of the establishment by 1963, as we saw above, when he and Joan Baez were the object of a cult. Soft, whiny PC singing: nothing like it. After all, the Nazis had “Lili Marlene“:
“Outside the barracks, by the corner light
I’ll always stand and wait for you at night
We will create a world for two
I’ll wait for you the whole night through
For you, Lili Marlene
For you, Lili Marlene…
Bugler tonight don’t play the call to arms
I want another evening with her charms…
When we are marching in the mud and cold
And when my pack seems more than I can hold
My love for you renews my might
I’m warm again, my pack is light
It’s you, Lili Marlene
It’s you, Lili Marlene”
Philosophy Is Elevated By Songs, That Is Nothing New:
Neuronal circuitry is established by repetition (Hebbian mechanism). Songs are repetitions full of repetitions. Thus their importance to imprint young children with ideas, and emotional systems.
Cato the Elder wanted to destroy Carthage. So, at the end of any of his discourses in the Roman Senate, on any subject, he would end with:”Carthago delenda est.” (We must destroy Carthage.) It worked. Sheer repetition works, it hammer the words, hence the meaning. This is what songs do, and why children are so thrilled by songs, as they learned from them what is important, with aforesaid hammering.
The colossal Middle Age philosopher Abelard was immensely famous in his times for his philosophical teachings from the Notre Dame Cathedral School (Soon to be renamed as a “University”) (OK, ) But he was even more popular, throughout Europe, for his songs (the tradition of top singing from Notre Dame would last centuries, and had a huge influence on music).
I long thought that “literature”, per se, is all too often despicable. It’s just something for airport people who are not really interesting. I mean, look out there, at this astounding world! Most novelists and their novels say nothing of it. I t’s not just that they don’t know Quantum Theory, but they love to rehash Conventional Wisdom, especially around the terrible world war of 1914-1945. Thus they have nothing to contribute in the way of new ideas of important significance.
Thus it is a breath of fresh air to give the Nobel to somebody who made so many think, out of the small little boxes they use for repeating what they heard, without considering what it means.
It is no accident that Dylan is opening for the Rolling Stones at the Desert Trip festival, while said Stones made a magnificent, majestic version of John Lennon’s “Come Together”: Hillary Clinton’s motto is “Stronger Together”. To make that link a bit clearer, Pink Floyd’s Waters floated a giant pig above the audience, with Trump’s face accompanied with the words “Ignorant, lying, racist, sexist pig.” Just to make sure, giant letters flashed across the big screen reading “Trump is a pig.” I am sure the millions of unemployed workers from Clinton’s era (past, present and future) were not in the audience, so it was rather safe. Just as it was safe for Jagger’s tax status to campaign for Brexit (only the EU is unsafe).
“Desert Trip” put together Dylan, opening for the Stones, Neil Young, opening for and with McCartney, and Roger Waters and The Who. Official ticket prices for “Desert Trip” started at $500 and went up above $1,500 Only the wealthy and the clueless underclass can afford to be Politically Correct nowadays. OK, the elite can give each other Nobel Prizes and make, as the Clintons did, 250 million dollars out of what is clearly, legal political corruption. Many things are legal, for the wealthy. The kind of Roger Waters generally enjoy perfectly legal tax havens’ part residency. Roger Waters is a socialist who loves Switzerland’s towering walls (he, or at least his tax base long resided there, before the rise of Dark Money under Obama has made the whole issue moot: the hyper rich can perfectly well escape taxation, as Apple Inc. does, and the White House will probably give you the Nobel Prize for it, and then fine a European bank to death, as the cherry on the cake).
Some of Dylan’s poetry hit right in the middle of what needs to be considered: Basically the opposite of the sex accusations laden US political campaign.
Blowin’ in the Wind, Bob Dylan:
How many roads must a man walk down
Before you call him a man?
How many seas must a white dove sail
Before she sleeps in the sand?
Yes, and how many times must the cannonballs fly
Before they’re forever banned?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind
Yes, and how many years can a mountain exist
Before it’s washed to the sea?
Yes, and how many years can some people exist
Before they’re allowed to be free?
Yes, and how many times can a man turn his head
And pretend that he just doesn’t see?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind
Well, cannonballs have flown since they were used by the (southern) French in the “Lancasterian” phase of the “100 Year War”. They will be banned only when they have been replaced by more potent weapons (such as the drones Obama ordered around to kill and maim). The winds of history shear through human destinies as self-devouring hurricanes.
Bob Dylan is no giant philosopher. He fails the honesty test. “I’m only Bob Dylan when I have to be.” He puts a “Bob Dylan mask on,” he admitted to a Halloween crowd during a show in 1964. Asked who he was the rest of the time, Dylan sighed: “Myself.”
However, as a political philosopher, Dylan played an important role.“Hurricane” is not just fabulous music, put excellent politically, thus, in practical philosophy.
Pistols shots ring out in the barroom night
Enter Patty Valentine from the upper hall
She sees the bartender in a pool of blood
Cries out “My God they killed them all”
Here comes the story of the Hurricane
The man the authorities came to blame
For something that he never done
Put him in a prison cell but one time he could-a been
The champion of the world.
Three bodies lying there does Patty see
And another man named Bello moving around mysteriously
“I didn’t do it” he says and he throws up his hands
“I was only robbing the register I hope you understand
I saw them leaving” he says and he stops
“One of us had better call up the cops”
And so Patty calls the cops
And they arrive on the scene with their red lights flashing
In the hot New Jersey night.
Meanwhile far away in another part of town
Rubin Carter and a couple of friends are driving around
Number one contender for the middleweight crown
Had no idea what kinda shit was about to go down
When a cop pulled him over to the side of the road
Just like the time before and the time before that
In Patterson that’s just the way things go
If you’re black you might as well not shown up on the street
‘Less you wanna draw the heat.
Alfred Bello had a partner and he had a rap for the corps
Him and Arthur Dexter Bradley were just out prowling around
He said “I saw two men running out they looked like middleweights
They jumped into a white car with out-of-state plates”
And Miss Patty Valentine just nodded her head
Cop said “Wait a minute boys this one’s not dead”
So they took him to the infirmary
And though this man could hardly see
They told him that he could identify the guilty men.
Four in the morning and they haul Rubin in
Take him to the hospital and they bring him upstairs
The wounded man looks up through his one dying eye
Says “Wha’d you bring him in here for ? He ain’t the guy !”
Yes here comes the story of the Hurricane
The man the authorities came to blame
For something that he never done
Put in a prison cell but one time he could-a been
The champion of the world.
Four months later the ghettos are in flame
Rubin’s in South America fighting for his name
While Arthur Dexter Bradley’s still in the robbery game
And the cops are putting the screws to him looking for somebody to blame
“Remember that murder that happened in a bar ?”
“Remember you said you saw the getaway car?”
“You think you’d like to play ball with the law ?”
“Think it might-a been that fighter you saw running that night ?”
“Don’t forget that you are white”.
Arthur Dexter Bradley said “I’m really not sure”
Cops said “A boy like you could use a break
We got you for the motel job and we’re talking to your friend Bello
Now you don’t wanta have to go back to jail be a nice fellow
You’ll be doing society a favor
That sonofabitch is brave and getting braver
We want to put his ass in stir
We want to pin this triple murder on him
He ain’t no Gentleman Jim”.
Rubin could take a man out with just one punch
But he never did like to talk about it all that much
It’s my work he’d say and I do it for pay
And when it’s over I’d just as soon go on my way
Up to some paradise
Where the trout streams flow and the air is nice
And ride a horse along a trail
But then they took him to the jailhouse
Where they try to turn a man into a mouse.
All of Rubin’s cards were marked in advance
The trial was a pig-circus he never had a chance
The judge made Rubin’s witnesses drunkards from the slums
To the white folks who watched he was a revolutionary bum
And to the black folks he was just a crazy nigger
No one doubted that he pulled the trigger
And though they could not produce the gun
The DA said he was the one who did the deed
And the all-white jury agreed.
Rubin Carter was falsely tried
The crime was murder ‘one’ guess who testified
Bello and Bradley and they both baldly lied
And the newspapers they all went along for the ride
How can the life of such a man
Be in the palm of some fool’s hand ?
To see him obviously framed
Couldn’t help but make me feel ashamed to live in a land
Where justice is a game.
Now all the criminals in their coats and their ties
Are free to drink martinis and watch the sun rise
While Rubin sits like Buddha in a ten-foot cell
An innocent man in a living hell
That’s the story of the Hurricane
But it won’t be over till they clear his name
And give him back the time he’s done
Put him in a prison cell but one time he could-a been
The champion of the world.
[This song, and another six of Dylan’s songs, was co-written with Jacques Levy; funny that the one song of Dylan I appreciated the words of, was written with someone else; Carter was released from prison in 1988, after 19 years in prison.]
PC Splendid In Masters Of War:
Come you masters of war
You that build the big guns
You that build the death planes
You that build all the bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
You that never done nothin’
But build to destroy
You play with my world
Like it’s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten all the triggers
For the others to fire
Then you sit back and watch
When the death count gets higher
You hide in your mansion
While the young people’s blood
Flows out of their bodies
And is buried in the mud
You’ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain’t worth the blood
That runs in your veins
How much do I know
To talk out of turn
You might say that I’m young
You might say I’m unlearned
But there’s one thing I know
Though I’m younger than you
That even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness
Do you think that it could?
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death’ll come soon
I will follow your casket
By the pale afternoon
And I’ll watch while you’re lowered
Down to your deathbed
And I’ll stand o’er your grave
‘Til I’m sure that you’re dead.
“Masters of War” is pretty good as a flow of invectives. Just “Like a Rolling Stone” is pretty good a torrent of insults and schadenfreunde. Yet “Masters of War” will slip on history, like water on a duck. Why? It is primary school philosophy. It thinks war is about money, primarily. Yet, it is not, war is a force which gives us meaning. At least to those of us who don’t make much sense otherwise.
Nasty people do not enjoy their souls as flaws, they relish them as the treasures which make the world good. They enjoy their nasty souls, they bought them at high prices.
They know all too well, that there are no souls, only destinies, and most can be crushed to elevate the few.
Thus what we have above is mostly posing, in the greater scheme of things. Scheme, like in a conspiracy.
Is Dylan A Progressive?
The establishment want us to believe that, as it makes the establishment, which approves of Dylan, progressive too. Some will say, yes, and point at the Vietnam War. However, the Vietnam War, in the greatest scheme of things, was a conversation between the Viet Minh leadership, which the US had supported against the French. The conversation was muscular, more than three million innocent people died, the land got poisoned. And now the USA and Vietnam are allied again, as they were in 1945. Against China. It is as if nothing happened.
I did not hear Dylan any during the Iraq invasion. Or during the UN blockade organized by the Clintons in the 1990s. The great game played in the Middle Earth is completely outside of the range of usual critique (the best proof of this is that Obama, under order from the Deep State, tried his best to prevent US victims to sue the Saudis for the 9/11 attack. In this case, amusingly the Republican Congress and the Senate overwhelmed the deep state.)
Conspiracies can become so involved that nobody understands anymore, or, at least, none of the victims understands anymore, what they are about, or even suspects their existence. Undetected conspiracies are the most efficient ones. To this day, conspiracies such as the Socrates-Plato-Aristotle trio, or the plot against Caesar, have not been really condemned for what they were (in both cases, conspiracies against We The People, and that can be seen just by looking at the grossest, most elementary facts of the situation; similarly, the US attack against Afghanistan (July 3, 1979) and the Iraq invasion were, first of all, parts of a huge conspiracy to put most of the Middle Earth out of order; some will say, there was no hand-written plan; sure, it was written in the minds, in so many non-saids).
Unfortunately, in this respect, detecting the power lines of oppression and subjugation, Dylan does not seem to help much (differently from, say, a John Lennon, who would certainly have expressed himself about Iraq). Tacitly, by being such a prominent member of the establishment for so long, Dylan supports it.
And the establishment we have in straight from hell, second to none. No human establishment prior to the present one, presided over the destruction of the biosphere: we are on track for a temperature rise of three degrees centigrade, within 80 years (but all member of the establishment are happy with the situation, starting with Nobel Al Gore; do you see a pattern here? Give a Nobel, keep the establishment happy!)
So Dylan, and all famous musicians nowadays, are as progressive as climate change: not for the better. Money, fame and power have made their souls into the pillars of what made them great in society, the establishment.
The predecessor of Ms. Sara Danius, Horace Engdahl, then permanent secretary of the Nobel prize jury commented in 2008, that “the US is too isolated, too insular. They don’t translate enough and don’t really participate in the big dialogue of literature … That ignorance is restraining.”
Funny how things change. Meanwhile the Obama years happened, Bush with a fresh coat of paint, and US plutocracy has become more powerful than ever: the world is its island. Ignorance is a strength, it helps warriors concentrate on what they know best. The very paucity of Dylan’s poetry is a strength. Ballads for thin brains.
Math and Philosophy Nobels Needed:
There is no mathematics Nobel: Nobel’s wife had eloped with a famous mathematician. There is no philosophy Nobel: Nobel spent most of his wealthy life in France, where he came to be known as the “merchant of death”. He was not amused by such sharp criticism. Philosophy criticizes or is not. (Some philosophers got Nobels: Russell, Bergson, Camus, Sartre… But the discipline deserves its own prize, especially as it could then cover adjacent areas such as sociology, psychology, gender theory, etc.)
Sara Danius, the Nobel spokeswoman, opined that the Nobel committee wanted to give the prize to Dylan, but they wondered if they had to create a new category of Nobel Prize (!) Then she said, no, we realized that, ever since Homer, poetry was an essential part of literature. Ii is interesting to see a woman think in public, a rare spectacle (the Nobel was attributed to Zero Woman this year, confirming that this Zero (?) gender is mostly best at foiling Donald Trump; this pernicious remark of mine should not be construed as a sneaky attack against either Trump, women, or the Nobel Committee; the fact is, there is lots of sexism out there, and neither Trump nor the Nobel, nor women themselves are basal fabricating factors; greater schemes are at work).
Poetical thinking is an indispensable method of thinking. One cannot think, and not be a poet. Or then one is a Tesla, Model S (2 fatal crashes this year). The most edgy philosophy depends upon poetry like propulsion depends upon force (and therefore, all the rest of creative thinking depends upon poetry too).
So let me help the Nobel committee here:
Yes, Nobel Committee, you need to create new Nobel Prizes. A Nobel Prize in MUSIC would have been best for Dylan.
Last week the Nobel in physics was attributed. It rested on some fundamental work in mathematics, more specifically in topology (fiber bundle theory, Chern classes, etc.). I knew Chern, and he was a more important thinker than the worthies who got the Nobel. Still, as a geometer, Chern could not pretend to get the Nobel. Thus the worthiest was not rewarded. Not just the worthiest individual (Chern’s life was rewarded enough), but the worthiest field. The occult masses don’t know what topology and differential geometry are, and that absence of knowledge makes them more stupid than they would be otherwise.
This is the first time, but not the last that fundamental work in mathematics and logic has an enormous impact on society: the work in LOGIC of the famous topologist Brouwer, is applied every single time someone uses a machine distributing money or other goodies.
It is not that I am anxious that some celebrity gets a prize. By giving highly visible prizes, one makes a field famous. Brouwer, famous for his Fixed Point theorem, went at mathematics with a hammer, and rejected much of the infinite obsession other mathematicians had. That was excellent for the computer, which cannot handle the infinite well (I am even worse that way, as I am what one should call an ultra-finitist).
By making famous fields which otherwise would stay ignored, one promotes the Open Mind without which the Open Society would not be.
So, yes the Nobel Committee should create prizes in: Logic, Mathematics and Philosophy. Similarly, the prizes in Biology and Medicine should be split (just like physics and chemistry are distinct, although often the works and certainly the fields, overlap). Maybe the Nobel organization has probably not enough money to do so. Then one should not have to attribute the prizes every year (sometimes, Nobel prizes were not attributed, for cause of World War).
I disagree with the novelists who were irate about giving the Nobel to Dylan, found that ridiculous. Maybe their work is ridiculous. (However, maybe there are excellent poet and writers out there, unjustly discriminating against by an all too discriminating Nobel committee, little do I know.)
It’s good to see a new genre be rewarded. Someday a pure Internet author will get the Nobel. Meanwhile, the Swedish Academy may want to look at science-fiction more carefully. As far as I can tell, there are more ideas there than in airport novels, and novels about East Coast low lives.
All Along the Watchtower
There must be some kind of way outta here
Said the joker to the thief
There’s too much confusion
I can’t get no relief
Business men, they drink my wine
Plowman dig my earth
None were level on the mind
Nobody up at his word
No reason to get excited
The thief he kindly spoke
There are many here among us
Who feel that life is but a joke
But, uh, but you and I, we’ve been through that
And this is not our fate
So let us stop talkin’ falsely now
The hour’s getting late, hey
All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants, too
Outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl
The establishment deserves all the prizes it can get. At least that is how it nurtures the respect for itself which feeds it supremacy.
Yes, the thief does not want us to believe he talks falsely. There is no way, but some kind of joke outta there. The hurricanes of a vengeful Earth will soon howl us all to shreds, we are lorded over by thieves all along the watchtower. Prizes are given to princes, while barefoot servants dare deplore the death of pathetic hope. Can’t low lives just look up to dreams they are unworthy of? Instead of clinging to their guns, their insults, and their pain?
Ultimately, the beat goes on, and the beaten fades away, even as an objection or a murmur.
OK, let’s finish on a positive note. I attacked fiercely the barely disguised human sacrifice religion known as Abrahamism, the Judeo-Christo-Islamism, which is not satisfied with killing people, but civilization itself. That Muslims worship to this day the willingness of a man to kill his son to satisfy his superior’s mania. I think that is ultimately repugnant, and it explains much of the murderous of Judeo-Christo-Islamism. My point of view is not funny, it is that of a severe critic. Yet Dylan is smarter than me here, from some angle, as he turns the whole mania into a joke:
“Highway 61 Revisited
Written by: BOB DYLAN
Oh God said to Abraham, “Kill me a son”
Abe says, “Man, you must be puttin’ me on”
God say, “No.” Abe say, “What?”
God say, “You can do what you want Abe, but
The next time you see me comin’ you better run”
Well Abe says, “Where do you want this killin’ done?”
God says, “Out on Highway 61””
Well, F God, indeed.